Kathryn Ashill has been working as an artist for six years, in that time she has …
Eaten 4kg of Penclawdd cockles, in an attempt to reclaim her Swanseaness
Pissed on the front doorstep of G39 In Honour of Polly Gartner
Jumped from a tree with balloons tied to her shoulders In Memory of Balloon Girl
Been carried across the threshold of the Chapter Arts Centre by visitors as part of A Series of Uncertainties
For upcoming events, see Kathryn’s blog
Artist Kathryn Ashill recently performed a work in New York inviting visitors to throw lumps of polished amethyst at her.
Most people were trying to miss or were being polite about it. I was surprised, I thought a New York audience would be quite bolshy and well-versed in participating in performance art.
The work is part of her series For Future Reference, a response to what a psychic said to her in 2007: “you’ll never be a mother, you’re too selfish.” Though the series is personal, Ashill seeks audience participation in all her works:
It needs to have that tactility. It just breaks people out of their comfort zone. I think people zone out when they’re watching performance, you need to bring them back in.
Kathryn Ashill has been working as an artist for six years, in that time she has …
Eaten 4kg of Penclawdd cockles, in an attempt to reclaim her Swanseaness
Pissed on the front doorstep of G39 In Honour of Polly Gartner
Jumped from a tree with balloons tied to her shoulders In Memory of Balloon Girl
Been carried across the threshold of the Chapter Arts Centre by visitors as part of A Series of Uncertainties
For upcoming events, see Kathryn’s blog